Dugo sam razmisljao kako da pocnem ovaj opis,a sada ne znam odakle da pocnem. Mozda je najbolje da kazem da sam malko vishe analogni manijak, dakle da verujem uglavnom u analogne distorzije i pedale jer sam se dosad nebrojeno puta razocarao u procesore. A nije da ih nisam imao-nekoliko zumova,korgova, bosova...Moje poslednje razocaranje je bio Korg AX3000G koji sma zadrzao samo zbog delaya i reverba, ali u ciji zvuk ampova sam se strasno i duboko razocarao. Znaci, probao sam da ga kacim i na tube i na solid state, ali svuda je to bio prilicno sinteticki i kompresovan zvuk.
Elem, da ne sirim dalje temu. Vodio sma se mislima, da pored Vox ADVT15 imam josh jedan prenosni modeling amp. Krenuh ja tako od Spidera IV koji ima lep low-down, iliti bas, ali je prilicno sinteticki i kompresovan. Peavey Vypyr ima realnije distorzije ali je dosta isecen, posebno na basu...Onda cak razmisljah da uzmem POD XT Live procesor i tup, naleteh na nesto sto me je zaista odushevilo, na gore pomenuti procesor-preamp. naime, josh uvek je na snizenju u Mitrosu, cak 6000 din, sto nije zanemraljivo.
Ne znam sta me vishe odusevljava, da li postojanje svih potrebnih vrsta priklucaka i izlaza, njegove simulacije ampova ili lakoca upotrebe i kreiranja preseta putem kompjutera. Kad smo vec kod toga, dakle, preko USB-a je moguce uspostaviti komunikaciju sa Xedit pogramom i samim tim, editovanje preseta je zaista maciji kasalj

Takodje, ima prikljucak za CAT5 kabl, pa preko njega je moguce updateovati softver na novu verziju. No, ono sto me ovde odusevljava je mogucnost da snimite svoje presete kao fajl, zatim ubacite novi softver i na krjau ucitate svoje presete. Zaista korisna stvar!
Sto se tice analognih output, najbolje da prepisem sta je navedeno :
Line Outputs:
Impedance: 1K Ohms unbalanced / 2K Ohms balanced
Maximum Output Level: 23 dBu
Mixer outputs:
Impedance: 2K Ohms balanced
Maximum Output level: 23 dBu
Headphone output:
Minimum Impedance: 50 Ohms
Output Power: 250 mW / channel
Loop Output:
Impedance: 600 Ohms
Nominal output level: -10 dBV (Unity gain from guitar input in BYPASS)
Electronic SNR: ≥ 110dB
Expression Pedal Input: Works with any standard passive guitar volume pedal; connect to volume pedal output.
Footswitch Input: DigiTech FS300 or GNXFC.
Uses 1/4” TRS stereo cable.
Inace, kao sto se vidi, procesor je zamisljen da se kontrolishe i putem expression pedale sto se tice waha i nekih efekata, i naravno putem mid kontrolera. No, Digitech kontroler koji se preporucuje mozda jeste zmaj ali kosta skoro kao pa ovaj procesor, nekih 240 EUR, tako da preporucujem da se proba sa nekim drugim kontrolerima, jer mislim da je ipak to preskupo.
KAd procitate ovako nesto :
# Intuitive user interface with dedicated amp controls and LCD display
# Over 120 amp, cabinet, preamp and effects models including vintage stompboxes
# Stereo effects loop
# 40 Tone and 40 Effect Chain Libraries — 1600 exclusive DigiTech Combinations
onda verovatno pomislite kako je to opet sve fino, ali kad pustite te zvukove, onda se razocarate. Ja sma iskreno, dosta ocekivao, posto su ovaj procesor prosto nahvalili preko neta, ali sma dobio mnogo vishe na moje iznenadjenje. Inace, na ovom procesoru navodno snima Mustaine i josh razni frikovi cija imena imate na sajtu, i znam da je to reklama, ali opet znam i da oni ne bi stali svojim imenom iza nekog djubreta.
Josh kad se doda upustvo od citavih 40-ak strana, onda postaje jasno da se Digitech vishe ne shali!
Pa da krenemo sa opisom samog zvuka

Sto se tice modelinga ampova, ima sve sto je meni potrebno,a i vishe :
57 CHAMP Based on a '57 Fender® Tweed Champ®
57 DELUXE Based on a '57 Fender Tweed Deluxe
59 BASSMAN Based on a '59 Fender Tweed Bassman®
62 BROWN BASSMAN Based on a '62 Fender Brownface Bassman
65 DELUXE REVERB Based on a '65 Fender Blackface Deluxe Reverb®
65 REVERB Based on a '65 Fender Blackface Twin Reverb®
65 JTM-45 Based on a '65 Marshall® JTM-45
68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL Based on a '68 Marshall Jump Panel
77 MASTER VOLUME Based on a '77 Marshall Master Volume
83 JCM800 Based on an '83 Marshall JCM800
93 JCM900 Based on a '93 Marshall JCM900
01 JCM2000 Based on an '01 Marchall JCM2000 (Solo Channel)
62 AC15 Based on a '62 Vox® AC15
63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
96 MATCH HC-30 Based on a '96 MatchlessTM HC30
88 SLO-100 Based on an '88 Soldano SLO-100
DIGITECH SOLO DigiTech® Solo
DIGITECH METAL DigiTech Metal
DIGITECH BRIGHT CLEAN DigiTech Bright Clean
DIGITECH CHUNK DigiTech Chunk
DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
DIGITECH CRUNCH DigiTech Crunch
DIGITECH BLUES DigiTech Blues
DIGITECH FUZZ DigiTech Fuzz
DIGITECH SPANK DigiTech Spank
DIGITECH HIGH GAIN DigiTech High Gain
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DREAD ACOUSTIC Dreadnaught acoustic
JUMBO ACOUSTIC Jumbo acoustic
DIRECT No amp model
KAd pogledate ovu listu, ne moze covek da se ne zapanji! Apsolutno sve sto treba, mozda neko ima neku zamerku sto nema nekog ampa, ali verujte, kad cujete zvuk ovog malishe, sve to zaboravljate!
Simulacije kabineta :
Cab Models
CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
BRITISH 2X12 Based on a 2x12 '63 Vox® AC30 Top Boost w/ Jensen® Blue Backs
BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s
DIGITECH SOLO 4X12 4x12 DigiTech® Solo
DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
DIGITECH METAL 4X12 4x12 DigiTech Metal
DIGITECH ROCK 4X12 4x12 DigiTech Rock
DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
DIGITECH SPANK 4X12 4x12 DigiTech Spank
DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
DIRECT No cabinet model
Spiska distorzija i pedala je isto neverovatan :
Stompbox Models
Compressor/Sustainer Models based on:
Boss® CS-2 Compressor / Sustainer
DigiTech® Main Squeeze Compressor
MXR® Dynacomp™
Wah/Volume Pedal Models based on:
Dunlop® Cry Baby Wah™
DigiTech® Full Range Wah
Vox® Clyde McCoy Wah™ Volume Pedal
Distortion & Ovrdrives based on:
SCREAMER Based on an Ibanez® TS-9
808 Based on an Ibanez TS-808 Tube Screamer
SPARKDRIVE Based on a Voodoo® Lab Sparkle Drive®
OD OVERDRIVE Based on a Guyatone® Overdrive OD-2
DOD 250 Based on a DOD® 250 Overdrive/Preamp
RODENT Based on a Pro Co RAT™
MX DISTORTION Based on an MXR® Distortion +
DS Based on a Boss® DS-1TM Distortion
GRUNGE DigiTech® Grunge®
ZONE Based on a Boss MT-2 Metal Zone®
DEATH METAL DigiTech Death Metal™
GONKULATOR Based on a DOD® Gonkulator Ring Modulator
8TAVIA Based on a Roger Mayer OctaviaT™
FUZZLATOR Based on a Demeter Fuzzulator
CLASSIC FUZZ Based on a DOD Classic Fuzz
FUZZY FACE Based on an Arbiter® Fuzz FaceTM
BIG PI Based on an Electro-Harmonix® Big Muff Pi®
I, na kraju, ostali efekti :
Effects
Chorus Stompbox Models based on:
Boss® CE-2 Chorus
DigiTech Dual Chorus
DigiTech Multi-Chorus
TC Electronics® Chorus
Flanger Models based on:
MXR® Flanger
DigiTech® Triggered Flanger
Electro Harmonix® Electric Mistress™
Phaser Models based on:
MXR® Phase 100
DigiTech® Phaser
Electro Harmonix® Small Stone™
Pitch Models based on:
DigiTech® Whammy™
DigiTech® Pitch Shift
DigiTech® Detune
DigiTech® IPS
Boss® OC-2 Octaver™
Vibrato / Rotary Models based on:
DigiTech® Vibrato
DigiTech® Rotary
DigiTech® Vibro / Pan
Unicord UniVibe™
Tremolo Models based on:
DigiTech® Tremolo
DigiTech® Panner
Fender® Opto Tremolo™
Vox® Bias Tremolo
Envelope / Special Models based on:
DOD® FX25 Envelope Filter
DigiTech® Auto Yah™
DigiTech® YaYa™
DigiTech® Synth Talk™
DigiTech® Step Filter
Digital Delay
Analog Delay
Pong Delay
Modulated Delay
Tape Delay
4 Lexicon® Reverbs
Fender® Twin Reverb™
EMT® 240 Plate Reverb
Pre nego sto konacno pocnem da opisujem zvuk, bitno je reci da imate 99 fabrickih preseta+99 vasih, s tim da mozete i fabricke da menjate, dakle 198 preseta! To je aposlutno i vishe nego dovoljno za ozbiljan studijski rad.
Ono sto isto treba napomenuti je da su studijski muzicari, koji nemaju para ili ne zele toliko da daju za jedan Axe, odusevljeni sa ovim malishom,a neki ga cak drze u backapu za Axe, sto je zaista za pohvalu

Nije zanemerljivo reci i da ljudi sa svih ostalig firmi masovno prelaze na ovaj rack, koji je dostojan nalsednij nekada cuvenog 2101 modleinga sa tube preampom.
Dakle, zvuk

Dobija se pravi tube zvuk verovatno i zbog mojih lampi u izlazu, nikako sterilan vec zaokrugljen sa svih strana i topao,da prosto odmah vam okupira srce

Isto je i sa drugim ampovima. Fender isto zvuci sjajno, kao i Vox, sto sma mogao direktno da poredim.Mesa je izuzetna, samo preporucujem da se to svira preko 412 caba, to je tek pravi dozivljaj


No, najvishe me je odusevio Classic Stack, to je zvuk za mil.$!
Efekti su isto tako prilicno dobri, kao neko ko ima kod sebe jedno 15-ak pedala, kogu odgovorno da tvrdim da napokon ne moram vishe da spajam u nedogled,a iako nesto hocu da ipak udzekam u GSP1101,to nije nikakav problem.
Da dalje ne davim, moram da kazem da sam zaista odusevljen ovim rack procesorom i mislim da vredi svaku paru!
Evo vam nekih klipova, pa uzivajte

http://www.youtube.com/watch?v=2t1btC7Ubus
http://www.youtube.com/watch?v=0LuoVUIiblA
http://www.youtube.com/watch?v=b_BqSGkc2oE
http://www.youtube.com/watch?v=KZ_PpWOY-wQ