Digitech GSP1101

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boki1978
Posts: 490
Joined: 07 Dec 2008, 15:43
Location: Beograd

Digitech GSP1101

Post by boki1978 » 13 Jan 2010, 09:55

Postovanje kolege!

Dugo sam razmisljao kako da pocnem ovaj opis,a sada ne znam odakle da pocnem. Mozda je najbolje da kazem da sam malko vishe analogni manijak, dakle da verujem uglavnom u analogne distorzije i pedale jer sam se dosad nebrojeno puta razocarao u procesore. A nije da ih nisam imao-nekoliko zumova,korgova, bosova...Moje poslednje razocaranje je bio Korg AX3000G koji sma zadrzao samo zbog delaya i reverba, ali u ciji zvuk ampova sam se strasno i duboko razocarao. Znaci, probao sam da ga kacim i na tube i na solid state, ali svuda je to bio prilicno sinteticki i kompresovan zvuk.
Elem, da ne sirim dalje temu. Vodio sma se mislima, da pored Vox ADVT15 imam josh jedan prenosni modeling amp. Krenuh ja tako od Spidera IV koji ima lep low-down, iliti bas, ali je prilicno sinteticki i kompresovan. Peavey Vypyr ima realnije distorzije ali je dosta isecen, posebno na basu...Onda cak razmisljah da uzmem POD XT Live procesor i tup, naleteh na nesto sto me je zaista odushevilo, na gore pomenuti procesor-preamp. naime, josh uvek je na snizenju u Mitrosu, cak 6000 din, sto nije zanemraljivo.
Ne znam sta me vishe odusevljava, da li postojanje svih potrebnih vrsta priklucaka i izlaza, njegove simulacije ampova ili lakoca upotrebe i kreiranja preseta putem kompjutera. Kad smo vec kod toga, dakle, preko USB-a je moguce uspostaviti komunikaciju sa Xedit pogramom i samim tim, editovanje preseta je zaista maciji kasalj :-) TOliko jasno, jednostavno i brzo.
Takodje, ima prikljucak za CAT5 kabl, pa preko njega je moguce updateovati softver na novu verziju. No, ono sto me ovde odusevljava je mogucnost da snimite svoje presete kao fajl, zatim ubacite novi softver i na krjau ucitate svoje presete. Zaista korisna stvar!
Sto se tice analognih output, najbolje da prepisem sta je navedeno :

Line Outputs:
Impedance: 1K Ohms unbalanced / 2K Ohms balanced
Maximum Output Level: 23 dBu
Mixer outputs:
Impedance: 2K Ohms balanced
Maximum Output level: 23 dBu
Headphone output:
Minimum Impedance: 50 Ohms
Output Power: 250 mW / channel
Loop Output:
Impedance: 600 Ohms
Nominal output level: -10 dBV (Unity gain from guitar input in BYPASS)
Electronic SNR: ≥ 110dB
Expression Pedal Input: Works with any standard passive guitar volume pedal; connect to volume pedal output.
Footswitch Input: DigiTech FS300 or GNXFC.
Uses 1/4” TRS stereo cable.

Inace, kao sto se vidi, procesor je zamisljen da se kontrolishe i putem expression pedale sto se tice waha i nekih efekata, i naravno putem mid kontrolera. No, Digitech kontroler koji se preporucuje mozda jeste zmaj ali kosta skoro kao pa ovaj procesor, nekih 240 EUR, tako da preporucujem da se proba sa nekim drugim kontrolerima, jer mislim da je ipak to preskupo.
KAd procitate ovako nesto :

# Intuitive user interface with dedicated amp controls and LCD display
# Over 120 amp, cabinet, preamp and effects models including vintage stompboxes
# Stereo effects loop
# 40 Tone and 40 Effect Chain Libraries — 1600 exclusive DigiTech Combinations

onda verovatno pomislite kako je to opet sve fino, ali kad pustite te zvukove, onda se razocarate. Ja sma iskreno, dosta ocekivao, posto su ovaj procesor prosto nahvalili preko neta, ali sma dobio mnogo vishe na moje iznenadjenje. Inace, na ovom procesoru navodno snima Mustaine i josh razni frikovi cija imena imate na sajtu, i znam da je to reklama, ali opet znam i da oni ne bi stali svojim imenom iza nekog djubreta.
Josh kad se doda upustvo od citavih 40-ak strana, onda postaje jasno da se Digitech vishe ne shali!

Pa da krenemo sa opisom samog zvuka :-) Bitno je napomenuti da je ovaj rack malisha zamisljen i za direktno povezivanje na PA ali i priklucivanje na power amp ili combo. U mom slucjau, ja sam prikljucio na combo preskocivsi njegov preamp i prakricno ga vezavsi na power amp mog Peavey JSX 212. Da li je tajna sto sam ga prikljucio na lampe, ne znam, mada se ljudi kunu da su odusevljeni i zvukovima na solid state ampovima.
Sto se tice modelinga ampova, ima sve sto je meni potrebno,a i vishe :

57 CHAMP Based on a '57 Fender® Tweed Champ®
57 DELUXE Based on a '57 Fender Tweed Deluxe
59 BASSMAN Based on a '59 Fender Tweed Bassman®
62 BROWN BASSMAN Based on a '62 Fender Brownface Bassman
65 DELUXE REVERB Based on a '65 Fender Blackface Deluxe Reverb®
65 REVERB Based on a '65 Fender Blackface Twin Reverb®
65 JTM-45 Based on a '65 Marshall® JTM-45
68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL Based on a '68 Marshall Jump Panel
77 MASTER VOLUME Based on a '77 Marshall Master Volume
83 JCM800 Based on an '83 Marshall JCM800
93 JCM900 Based on a '93 Marshall JCM900
01 JCM2000 Based on an '01 Marchall JCM2000 (Solo Channel)
62 AC15 Based on a '62 Vox® AC15
63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
96 MATCH HC-30 Based on a '96 MatchlessTM HC30
88 SLO-100 Based on an '88 Soldano SLO-100
DIGITECH SOLO DigiTech® Solo
DIGITECH METAL DigiTech Metal
DIGITECH BRIGHT CLEAN DigiTech Bright Clean
DIGITECH CHUNK DigiTech Chunk
DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
DIGITECH CRUNCH DigiTech Crunch
DIGITECH BLUES DigiTech Blues
DIGITECH FUZZ DigiTech Fuzz
DIGITECH SPANK DigiTech Spank
DIGITECH HIGH GAIN DigiTech High Gain
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DREAD ACOUSTIC Dreadnaught acoustic
JUMBO ACOUSTIC Jumbo acoustic
DIRECT No amp model

KAd pogledate ovu listu, ne moze covek da se ne zapanji! Apsolutno sve sto treba, mozda neko ima neku zamerku sto nema nekog ampa, ali verujte, kad cujete zvuk ovog malishe, sve to zaboravljate!

Simulacije kabineta :


Cab Models
CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
BRITISH 2X12 Based on a 2x12 '63 Vox® AC30 Top Boost w/ Jensen® Blue Backs
BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s
DIGITECH SOLO 4X12 4x12 DigiTech® Solo
DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
DIGITECH METAL 4X12 4x12 DigiTech Metal
DIGITECH ROCK 4X12 4x12 DigiTech Rock
DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
DIGITECH SPANK 4X12 4x12 DigiTech Spank
DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
DIRECT No cabinet model


Spiska distorzija i pedala je isto neverovatan :


Stompbox Models
Compressor/Sustainer Models based on:
Boss® CS-2 Compressor / Sustainer
DigiTech® Main Squeeze Compressor
MXR® Dynacomp™
Wah/Volume Pedal Models based on:
Dunlop® Cry Baby Wah™
DigiTech® Full Range Wah
Vox® Clyde McCoy Wah™ Volume Pedal
Distortion & Ovrdrives based on:

SCREAMER Based on an Ibanez® TS-9
808 Based on an Ibanez TS-808 Tube Screamer
SPARKDRIVE Based on a Voodoo® Lab Sparkle Drive®
OD OVERDRIVE Based on a Guyatone® Overdrive OD-2
DOD 250 Based on a DOD® 250 Overdrive/Preamp
RODENT Based on a Pro Co RAT™
MX DISTORTION Based on an MXR® Distortion +
DS Based on a Boss® DS-1TM Distortion
GRUNGE DigiTech® Grunge®
ZONE Based on a Boss MT-2 Metal Zone®
DEATH METAL DigiTech Death Metal™
GONKULATOR Based on a DOD® Gonkulator Ring Modulator
8TAVIA Based on a Roger Mayer OctaviaT™
FUZZLATOR Based on a Demeter Fuzzulator
CLASSIC FUZZ Based on a DOD Classic Fuzz
FUZZY FACE Based on an Arbiter® Fuzz FaceTM
BIG PI Based on an Electro-Harmonix® Big Muff Pi®

I, na kraju, ostali efekti :


Effects
Chorus Stompbox Models based on:
Boss® CE-2 Chorus
DigiTech Dual Chorus
DigiTech Multi-Chorus
TC Electronics® Chorus
Flanger Models based on:
MXR® Flanger
DigiTech® Triggered Flanger
Electro Harmonix® Electric Mistress™
Phaser Models based on:
MXR® Phase 100
DigiTech® Phaser
Electro Harmonix® Small Stone™
Pitch Models based on:
DigiTech® Whammy™
DigiTech® Pitch Shift
DigiTech® Detune
DigiTech® IPS
Boss® OC-2 Octaver™
Vibrato / Rotary Models based on:
DigiTech® Vibrato
DigiTech® Rotary
DigiTech® Vibro / Pan
Unicord UniVibe™
Tremolo Models based on:
DigiTech® Tremolo
DigiTech® Panner
Fender® Opto Tremolo™
Vox® Bias Tremolo
Envelope / Special Models based on:
DOD® FX25 Envelope Filter
DigiTech® Auto Yah™
DigiTech® YaYa™
DigiTech® Synth Talk™
DigiTech® Step Filter

Digital Delay
Analog Delay
Pong Delay
Modulated Delay
Tape Delay

4 Lexicon® Reverbs
Fender® Twin Reverb™
EMT® 240 Plate Reverb

Pre nego sto konacno pocnem da opisujem zvuk, bitno je reci da imate 99 fabrickih preseta+99 vasih, s tim da mozete i fabricke da menjate, dakle 198 preseta! To je aposlutno i vishe nego dovoljno za ozbiljan studijski rad.
Ono sto isto treba napomenuti je da su studijski muzicari, koji nemaju para ili ne zele toliko da daju za jedan Axe, odusevljeni sa ovim malishom,a neki ga cak drze u backapu za Axe, sto je zaista za pohvalu :-)
Nije zanemerljivo reci i da ljudi sa svih ostalig firmi masovno prelaze na ovaj rack, koji je dostojan nalsednij nekada cuvenog 2101 modleinga sa tube preampom.

Dakle, zvuk :-) Sta da kazem, ja sa zapanjen. Svirao sam na dosta Marshalla i moram reci da je ovo jedna od naj, ako ne i naj simulacija koju sam ikada cuo! Ima na netu YT klipova gde porede direkrno ove zvukove i gde se ne cuje razlika,a ja mogu samo da potvrdim da je uzivo zaista ista prica, cak toliko verno zvuci Marshall, bilo JTM, plexi ili neki drugi, da sam ja ostao zapanjen.
Dobija se pravi tube zvuk verovatno i zbog mojih lampi u izlazu, nikako sterilan vec zaokrugljen sa svih strana i topao,da prosto odmah vam okupira srce :-)
Isto je i sa drugim ampovima. Fender isto zvuci sjajno, kao i Vox, sto sma mogao direktno da poredim.Mesa je izuzetna, samo preporucujem da se to svira preko 412 caba, to je tek pravi dozivljaj :-) Od svih ampova, jeidno nisam slushao Soldano, ali taj zvuk zvuci sjajno, dok je mene extra odusevio Carvin Legacy- zvukcina :-)
No, najvishe me je odusevio Classic Stack, to je zvuk za mil.$!
Efekti su isto tako prilicno dobri, kao neko ko ima kod sebe jedno 15-ak pedala, kogu odgovorno da tvrdim da napokon ne moram vishe da spajam u nedogled,a iako nesto hocu da ipak udzekam u GSP1101,to nije nikakav problem.
Da dalje ne davim, moram da kazem da sam zaista odusevljen ovim rack procesorom i mislim da vredi svaku paru!
Evo vam nekih klipova, pa uzivajte :-)

http://www.youtube.com/watch?v=2t1btC7Ubus
http://www.youtube.com/watch?v=0LuoVUIiblA
http://www.youtube.com/watch?v=b_BqSGkc2oE
http://www.youtube.com/watch?v=KZ_PpWOY-wQ

boki1978
Posts: 490
Joined: 07 Dec 2008, 15:43
Location: Beograd

Re: Digitech GSP1101

Post by boki1978 » 13 Jan 2010, 11:12

I josh netso da dodam, u Thomann-u nov kosta 485 EUR,a kod nas, na popustu, je 330 EUR! Apsolutno sjajna kupovina!

A, za kraj, review jednog od studijskih muzicara :

The GSP-1101...In Review
DigiTech FINALLY makes good on the promise of digital modeling



First off, let me say that while I prefer analog gear, I am of the "if it sounds good, it IS good" school of thought, so a well made piece of digital gear is just fine by me.

That being said, since digital modeling technology has hit the market I have been less than impressed with the offerings over the years. I've owned a few different Line 6 Pods, a Line 6 Flextone III amp, a Boss GT-Pro and I've spent several hours with various other modeling products from Vox, Roland, Marshall, Fender, etc. and, with the exception of the Line 6 Echo Pro rack, Line 6 Verbzilla, and the Boss DD-20, I haven't been overly impressed with any of them...especially the amp models and distortion sounds.

One unit that I took a chance on recently was a DigiTech EX-7 Expression Factory. This was a major deal for me as I have been the biggest critic of DOD/DigiTech gear for the last 15 years. I've just never been satisfied with it, whether it was the features, the sound quality, the long gaps between program changes, etc. I basically vowed to write them off until they at least had seamless program changes. For me, if a unit doesn't do that, it's pretty much useless.

Anyway...I was very impressed with the versatility and sound quality of the Expression Factory. I did end up selling it when I needed the money, but when I had it, I used it a lot in the studio...my only beef was that it could do so much, I would need at least two or three of them on stage to use live unless I wanted to be tweaking knobs all night...but the sound quality was great, the wah, vibrato, Whammy, chorus, etc. all sounded great. The distortion models weren't amazing, but they were functional and still some of the better digital distortion models I had yet to hear.

So with renewed interest in things DigiTech (and a desire to get some of the same sounds I was getting with my now sold EX-7) When I heard that DigiTech was coming out with the GSP-1101, I was very interested in seeing what it could do and I picked one up at AMS. Folks...I was not prepared for what I experienced.

While the GSP-1101 is not without it's faults... they are minor compared to the sound quality and functionality of this unit. This is beyond a shadow of a doubt, the best sounding, well built, digital modeling unit under $1000 on the market today...Period!

Let me start the actual review with my review setup...Basically I use vintage style single channel tube amps (this one in particular was a Emery Sound modded Fender Blues Jr. with a Celestion Greenback speaker) a variety of nice analog pedals (FoxRox/Keeley/Analogman/Skreddy/ElectroHarmonix/etc.) and an American Standard Tele with a Dimarzio Fast Track 2 in the bridge and a Fender Noiseless Tele neck pickup). Live I use a Plexi and a Twin in stereo or Valvetech Hayseed 30 heads (well...I will in a couple of weeks when they arrive). Live I will be running the 1101 in one of the loops of my DMC Ground Control Expander and using it for effects only (no amp/cab models), but for review purposes I ran the guitar straight into the 1101 and into my amp.

Setup was a little tricky but not too bad. There is a single output knob and no clipping LED...I suspect that this unit has so much headroom that the LED isn't necessary (I cranked the unit well past unity gain and still no distortion from the unit itself), but it would still be nice to have. There was also no input level control...again, it didn't seem to need it as my guitar (which has really hot pickups) didn't cause the unit to go into audible distortion. It's best if you have a true bypass loop box of some kind so that you can not only hear how the bypassed unit affects your tone, but also to make it easier to set the unit for unity gain.

I found the bypassed signal to be very strong, clean and very much like the sound of my setup with the guitar plugged straight into the amp. As far as I'm concerned, this is the first and most important test for ANY rack processor...if it doesn't sound good bypassed I return it...and I've done so with many other units. It's a real sticking point for me and I won't compromise on this at all. With my amp, guitar and GSP-1101 all set and ready to go, I'm ready to check out the effects.

Now...if you're like me, the first thing you do is go to the first user patch location and turn off all the effects, noise gates, EQ's, etc. and start from scratch. From there I proceeded to audition each effect on it's own to get an initial impression of the quality of the particular effect and, if it's supposed to be modeling a particular effect, make any direct comparisons to the actual unit it's supposed to be modeling. That being said...the GSP-1101 is DEEP! There's a seemingly endless supply of effects on hand...but what makes this particular unit shine over many other lesser products out there on the market today is that MOST of them are actually useful and do what they're supposed to do. There's not a lot of filler effects in the GSP-1101.

I have to admit I usually hate digital distortion/overdrive/fuzz/compression/etc. and have mostly used digital for modulation, delay, reverb and pitch shifting effects, but the GSP-1101 is the first digital unit I have used that I would actually consider using the digital distortions in a live situation…I'm mostly a overdrive and fuzz guy…I'll also use medium gain distortions and generally avoid most of the high gain stuff unless I'm donging around on metal riffs at home or something. I compared the GSP-1101's overdrive and fuzz models to their analog counterparts and a ZIM with a VT card in channel A and a T+2 card in channel B and a Skreddy Top Fuel and I have to say only the Big Muff model didn't quite nail it as convincingly as I would have liked. The rest were pretty spot on…again…I've never heard a digital unit that nail these tones before…in fact, the GSP-1101 nails the Boss DS-1 sound even better than the DS-1 model on the Boss GT-Pro rack. Somehow they really nailed the midrange complexity and low end authority that previous distortion modelers have lacked…the highs were not sussy and diffused. I honestly can't even begin to properly convey how impressed I am with the od/dist/fuzz models.

The compressor models also stand up well to their analog counterparts. The Dyna Comp model was particularly spot on.

Everything you may have loved about the Digitech Expression Factory can also be found here, but again, with better sound quality. The wah models were mighty impressive as was the Whammy.
The modulation effects section is huge and complete…some of my favorites were the Small Stone, CE-2 (compared very favorably to my pre 2000 analog Boss CE-5), Whammy, all the Tremolo models, the Vibrato and Univibe models (both were very impressive) and the Electric Mistress models. The Modulation section even has a "pre/post" option for running the effects pre or post preamp. Even with the preamp disengaged, the tone of the effect changes in a manner that you would expect by running the effect pre-preamp or in your effects loop. Very cool.

The delay section was equally impressive as far as tone was concerned…While not as extensive as say, the Line 6 Echo Pro rack, the basics are covered and covered well…there's a few different analog delays (which compared favorably to my Ibanez AD-9), a tape echo, digital delay, modulated delay, etc. I compared my Deluxe Memory Man to the Modulation Delay and I got pretty damn close to nailing the sound…I found adding a little compression got me even closer to the tone and feel. While many of the other models have the same functions as their analog counterparts, I was a little disappointed to find there was no chorus/vibe switch for this model. This is a small complaint. Most of the delays can do repeat/hold and have up to 5 seconds.

The reverbs were really great. Harmon bought out Lexicon and they have featured a few of their reverb algorithms along with a nice plate reverb model and a spring reverb model. The only complaint I have here is the "spring" effect is triggered by volume peaks and it can sound a little unnatural at times…sometimes the pulse of the tremolo model is enough to set it off, but it can be worked around.

Of course there's all kinds of MIDI control and signal routing options.

As far as complaints go (other than the one's I mentioned above), I'll list them in no particular order…

EASE OF EDITING: OK…it's relatively easy, and the included editing software is the model of efficiency and makes creating sounds a breeze, but away from my computer I find the rack's interface to be a little too cumbersome. I would prefer to be able to adjust the various parameters of that effect with the 5 knobs that are used for the "preamp" section. I don't really plan to use the preamp section much and it would be great to hit a "Modulation" button use the big knob to select a particular effect type and tweak the individual parameters with the 5 smaller knobs.

REAR PANEL INPUT (in addition to the front panel input): This is a must. The front panel input is reasonably sturdy and well implemented, but not everyone's setup is optimized for one. Having both a front and rear panel input is a much better way to go.

MORE DELAY MODELS: While the delays that are here sound great, there's room for some cool "effecty" delays like a reverse delay or a lo-res delay, etc.

That's pretty much it. The DigiTech GSP-1101 is a mighty impressive piece of equipment, especially for the money. In my mind it's the first commercially available unit to deliver on the promise of modeling technology…This is where I get on the digital bus.


Pozdrav!

Borjan

boki1978
Posts: 490
Joined: 07 Dec 2008, 15:43
Location: Beograd

Re: Digitech GSP1101

Post by boki1978 » 13 Jan 2010, 14:01

Zar niko nema komentar makar na YT snimke? :D

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dejankuki
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Re: Digitech GSP1101

Post by dejankuki » 13 Jan 2010, 15:19

Niko (sem verovatno mene) ne veruje da digitech i neki novi procesori... like Zoom GT serija, Behringer V-amp2 i 3 i jos neki ne zavrednjuju paznje..

Meni je za oko zapao ovaj RP-500 ili RP355..

Drago mi je da si kupio nesto sa cime si zadovoljan..



dodatak, GSP koristi dva DNA2 cipa... a RP serija jedan...

boki1978
Posts: 490
Joined: 07 Dec 2008, 15:43
Location: Beograd

Re: Digitech GSP1101

Post by boki1978 » 13 Jan 2010, 16:07

dejankuki wrote:Niko (sem verovatno mene) ne veruje da digitech i neki novi procesori... like Zoom GT serija, Behringer V-amp2 i 3 i jos neki ne zavrednjuju paznje..

Meni je za oko zapao ovaj RP-500 ili RP355..

Drago mi je da si kupio nesto sa cime si zadovoljan..



dodatak, GSP koristi dva DNA2 cipa... a RP serija jedan...
Cek druze, jel sam ja razumeo da si rekao da ti ne verujesh da Digitech zavrednjuje paznju? Ili sam pogresno protumacio :) ALi, koliko te znam sa foruma, ti gotivish Digitech :D
Anyway, gomila ljudi ima predsrasuda prema modeling preampima kao i ja sto sam imao, ali isto tako gomila njih na netu priznaje da su sa Line6 XT Live i Pro, nekih Rocktrona, Zumova, GT-10 i raznih Pro-a upravo prelazili na ovaj procesor. Ne kazem da je najbolji na svetu, dodushe Axe nisam probao, ali mislim da je sjajan za te novce a i vishe :-)
Mene je Digitech firma sa ovim proizvodom koji kosta kao 2 dobre pedale zaista kupila, ali ne samo mene, pogledajte samo reviewe po netu, tamo vlada pomama za ovim procesorom.

:ziveli:

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dejankuki
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Re: Digitech GSP1101

Post by dejankuki » 13 Jan 2010, 16:27

No,No... rekoh niko sem mene ne veruje da modelinzi treba uopse da se pogledaju... ajmo pojednostavljeno..

Da, ja verujem u modelinge.. opet, svestan sam da modeling nikad nece biti 100% the same.. ali vrrrrlo upotrebljih 98,7% da!!! postoji tu mnogo zasto ne.. ali generalno.. modeling je danas vrlo slican originalu..





No, da se manemo offa..

Cestitam!!!

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dweezil
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Re: Digitech GSP1101

Post by dweezil » 13 Jan 2010, 18:27

e @Boki cheers kupio si spravu koja j kevu :)

al ja mislim da si je postavio na pogresnom forumu, da si postavio temu o nekoj vr.. firmi kao Behringer il sl. odziv bi bio mnogo veci. Ovde je major stav sto manje para za sto vise muzike. Kapish? :)

Koji crni Digitech mi smo jos pod Turcima brate :).

boki1978
Posts: 490
Joined: 07 Dec 2008, 15:43
Location: Beograd

Re: Digitech GSP1101

Post by boki1978 » 13 Jan 2010, 20:33

dweezil wrote:e @Boki cheers kupio si spravu koja j kevu :)

al ja mislim da si je postavio na pogresnom forumu, da si postavio temu o nekoj vr.. firmi kao Behringer il sl. odziv bi bio mnogo veci. Ovde je major stav sto manje para za sto vise muzike. Kapish? :)

Koji crni Digitech mi smo jos pod Turcima brate :).
PA druze, kapiram i ne kapiram. :O.o: Ako su ljudi u stanju da daju pare za klonove i to barem 60-80 EUR po pedali(znash da ih jako volim i postujem taj rad!),a ciji neki originali idu i do 200 EUR, ne vidim sta je loshe da se da 330 EUR za procesor koji zaista sjajno radi i modelinge i ima hrpu efekata? On i nudi za sto manje para mnogo muzike poredivsi to dovoljno samo sa 3-4 kvalitetne pedale koje bi morao sam sebi da napravish!Pogotovo sto mu je cena kod nas znatno niza nego recimo u Nemackoj.
JA cu biti iskren, da sam ranije naleteo na ovog rack malishu, pola pedala ne bih uzeo, sigurno :D
A, ovo za pod Turcima, i stoji i ne, kako za koga, jer vidim da dosta kolega ima finu opremu a neki cak i onu o kojoj samo mogu da sanjam :)

:ziveli:

boki1978
Posts: 490
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Re: Digitech GSP1101

Post by boki1978 » 13 Jan 2010, 20:39

dejankuki wrote:No,No... rekoh niko sem mene ne veruje da modelinzi treba uopse da se pogledaju... ajmo pojednostavljeno..

Da, ja verujem u modelinge.. opet, svestan sam da modeling nikad nece biti 100% the same.. ali vrrrrlo upotrebljih 98,7% da!!! postoji tu mnogo zasto ne.. ali generalno.. modeling je danas vrlo slican originalu..





No, da se manemo offa..

Cestitam!!!
Pa druze, nije to off. TO je generalno problem kod nasih ljudi. Za neke nije modeling to sto pravi clone nekog zvuka ali jeste modeling ako dodje to iz procesora?PA i Sansa ampovi i slicni su modeling pedale. Da li Sansa Amp i sl. zvuce isto na JSX-u, Marshallu, Peaveyu? NAravno da ne! Koji je original? Samo jedan, onaj koji je original na tom ampu! Dok svaki od ostalih ampova sa tom pedalom samo daje slican zvuk sa svojim smekom ili sa odredjenim manama. Ja to jednostavno tako gledam. Bio bih idiot kad bih probao da na JSX-u dobijem pravi Marshall zvuk i obratno!
Ali zato sam dobio zaista lep i dosta identican zvuk za po meni isplative novce, koje nisam ubrao sa drveta vec sam zaradio, pa castio sebe za svoj rodjendan. Jbg, Deda Mraz u zelji da drugima da poklone mene je umeo da zaboravi na 1.januar, pa nekad moram sam sebe da obradujem u njegovo ime :lol:

Funkomat
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Re: Digitech GSP1101

Post by Funkomat » 13 Jan 2010, 20:50

boki1978 wrote:jer vidim da dosta kolega ima finu opremu a neki cak i onu o kojoj samo mogu da sanjam :)
Jel cujes guv'nor!? :x :lol:

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guv'nor
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Re: Digitech GSP1101

Post by guv'nor » 13 Jan 2010, 23:23

Funkomat wrote:Jel cujes guv'nor!? :x :lol:
Jes', pogotovo ja sa gitarom od 55 evra. :lol: :ziveli:

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Markony
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Re: Digitech GSP1101

Post by Markony » 15 Jan 2010, 09:33

guv'nor wrote:
Funkomat wrote:Jel cujes guv'nor!? :x :lol:
Jes', pogotovo ja sa gitarom od 55 evra. :lol: :ziveli:
U rukama Mandusica Vuka,
svaka puska ubojita!
:ziveli:

yacky
Posts: 149
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Re: Digitech GSP1101

Post by yacky » 08 Aug 2014, 12:26

Pozz Boki 1978,

imam pitanje, dali DigiTech GSP 1101 moze da koristi neki univerzalni MIDI Foot controler, ( BOSS, ROLAND, ....) preko MIDI izlaza (MIDI IN/OUT) ili mora da se iskljucivo koristu Control 2, ili ovi ulazi za Footswitch FS 300 i ulaz za Volume pedal ??? Posto ga imas par godina( ako ga jos uvek koristis), verovatno imas iskustva sa ovim pitanjem !!!

Pozz Aleksandar

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